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10-12-09
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TIP OF THE WEEK:  It is easier to decorate a room if the color scheme is simple, with one or two accent colors repeated in intervals, like music, to create rhythm and balance.

QUOTES OF THE WEEK:   "Happiness is not a matter of intensity but of balance, order, rhythm and harmony.
 
                Thomas Merton


"Vision is the true creative rhythm.
"
                Robert Delaunay
IN THIS ISSUE:

Creating a Dynamic Environment

New Section for Design Students!!!

Dear [dear]

Thank you for being patient with Yours Truly while I recuperate from surgery.  My doctor, and one of my clients, an anesthesiologist, said that it would take weeks to return to "normal," but my immediate thought was, "No, it won't."  I've  been blessed with an abundance of energy (and enthusiasm), which has helped me overcome every challenge so far.  Well, they were right, and I was wrong.

Have you ever seen a puppy or a kitten drop to take a nap in the middle of playing?  That's how it feels.  The desire, the motivation is as strong as ever, but the body does what it needs to do.   What a marvelous, miraculous machine!  

Last week, I received a wonderful e-mail from a subscriber, who is a design student in Wyoming. Over the years, I have taught bath, interior, and kitchen design, and thoroughly enjoy mentoring those who are the future of my profession.  So, I've decided to add a new section to "Plesset's Principles," focusing on tips and hints for new and soon-to-be interior designers, and bath-kitchen specialists, which will also provide homeowners with good information.  

                    With Inspired Ideas For Your Home,
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Plesset's Principles for Today's Home
®

CREATING A DYNAMIC ENVIRONMENT

Several weeks ago, I was visiting with the clients who just completed their new home.  It's delightful to see their home evolving from a building project into a reflection of their taste and lifestyle, and it's a joy to be part of the evolution.

The homeowners selected a pale, dusty green (a bit brighter than "celadon") for one of the guest bedrooms, and didn't know what color(s) to use, to accessorize it.  The bed, dresser, and night stands are dark wood (mahogany), the carpet is a cool beige, the duvet and skirt are a deeper shade of the carpet, and the trim (crown moulding, casing, and baseboard) is a light ivory.

The only accessory in the room was a wonderful painting that the husband had created, featuring three skiers, in a dark frame with double matting: wide ivory at the outside edges (which enhanced the snow in the picture), and very thin red at the inside edges (which repeated the color of one of the skier's caps).  

When I suggested red as the accent color, the homeowners loved it.  They happened to have throw pillows in many colors, including different shades of red, and they had just purchased a small-sized red area rug for another room, which fit into the guest bedroom beautifully.  I suggested adding one or two light ivory pillows, also.  They are now looking for a comfortable deep-red lounge chair to fit into the corner, and a wood occasional table. When finished, the room will feel friendly and restful, because the main colors are neutral, but it will also have personality and pizzaz, with the red accents.  Technically, the room has a complementary color scheme, which uses opposites on the color wheel.  For more information about color schemes, you can visit http://www.color-wheel-pro.com/color-schemes.html

Whether decorating a room, arranging display items in a cabinet, creating flower arrangements, or hanging pictures on a wall, I keep the relative placement in mind, so the viewer's eyes flow from one object to another, creating a smooth rhythm using odd numbers, if possible (i.e., 3, 5, or 7), for assymetrical balance for most homes.   

In this bedroom, the ivory colors are repeated at the ceiling, the windows, the accent pillows, duvet, and floor (repetition of five). Standing in the doorway, the occupant will see the red chair, the red pillows, and the red area rug (repetition of three).  But moving from the doorway into the room, the view will change, and the painting will become visible, the room's focal point from that vantage.  

When we see pictures of a well-decorated room in magazines, the view is static, like standing in a doorway -- usually staged specifically for the photograph.  But in real life, our environment must change to maintain its dynamic effect on us.  Think about this as you move around your home, and when you enter public spaces, also known as created environments.  If you are fortunate to live in or close to the country, think about the dynamic changes you encounter as you move into and through the natural environment, i.e., the effects of colors, textures, and lighting.  

I learned a decorating trick from these wonderful clients that I'm going to pass on to you: Don't buy expensive frames for your artwork, unless you have to. Goodwill, Salvation Army, and other charitable organizations with retail outlets sell frames (and framed artwork) for considerably less than you'd pay for a custom frame.  You can also get great bargains at garage sales and flea markets.  

All you have to do is take photographs of your artwork that needs framing, and write the measurements on the back of the photos. Keep them with you whenever you go shopping (or keep them in your glove compartment), so if you happen to pass a resale or consignment outlet, or a garage sale, you'll have the information you need, to get the frame you want.  My clients paid less than $20 for the 24" by 30" frame that they used for the "skiers" painting.

--o0o--

Plesset's Principles for Tomorrow's Designers®

Here is the first of an ongoing series of hints, tips, and how-to's, to help you prepare for a career in interior design, or bath-kitchen design.  There will be more exciting information for you (and your peers) in the very near future!

  • Don't under-estimate the importance of drafting plans, elevations, details, and perspectives by hand -- yes, manually!  CAD is a wonderful tool, and I highly recommend it, but the practice you have drafting and sketching to scale will help you feel and understand the volume of a space.  It will also increase your confidence to do quick sketches in the field, to help others understand your vision and insight. 
25 years ago, the school I attended did offer a drafting class, taught by a local architect who decided that no matter how hard we studied and worked, none of us from the Interior Design Department deserved a grade higher than a B.  I went to another school to get drafting training, and paid an architect for private mentoring.  Later, when I began doing projects with structural changes, the engineer allowed me to do all of the structural drafting under his direction.  This training and experience was priceless!

Also practice your hand-lettering skills.  People will recognize (and compliment) your printing ability, and it could lead to future projects from a doctor, dentist, veterinarian, etc., who will ask you, "How did you learn to print like this?"  This advice comes from personal experience!
  • What is the most important class you can take that will really prepare you for your career?  
                [A] Architectural and Interior Design History  
                [B] Drafting
                [C] Textiles
                [D] Color
                [E]  Furnishings and Accessories
           
ANSWER:  None of the above!  The most important part of your education is learning the business of interior design.  Creative people do not like accounting, filing, time management, or marketing, but these skills will help you throughout your career.  They are the foundation upon which you will build your success.

Feel free to share this newsletter with your friends and peers.  The future of our profession is in your hands.  I've been blessed to have wonderful mentors and teachers throughout my career, several who established the high standards still being honored.

--o0o--

"Plesset's Principles for Today is Home" is YOUR personal information service, to help you make informed decisions about every aspect of your building or remodeling project. Send an e-mail today with your questions to: Q@dp-design.com

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ABOUT DIANE


Diane and logoDiane established D. P. Design in April of 1984, to help homeowners, like you,  achieve the best building and remodeling experience with her personalized consulting, design services, seminars, articles, and books.  She is a homeowner advocate, an award-winning designer and author, and former co-host of a weekly radio program.  "Plesset's Principles for Today's Home®" is another avenue for Diane to express her passion for helping people, using her God-given talents, education, and experience to provide "Inspired Ideas for Your Home®". 

She is one of about 150 designers in the United States with multiple certifications as a Master Kitchen-Bath Designer, Interior Designer, and Aging-in-Place Specialist.  Diane can help you achieve your building or remodeling goals, using state-of-the-art computer aided drafting software ("Archicad").  To request more information, visit Diane's website, or send an e-mail to Diane: Q@dp-design.com.

You are welcome to share this newsletter.  We request that you copy and paste it in its entirety, including Diane's bio. 

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DIANE PLESSET,
CMKBD, NCIDQ #13029, C.A.P.S.
D. P. DESIGN
P.O. Box 1132
Oregon City, OR. 97045


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